It was my first movie and I didn’t know what I was doing and it was all improv. I did learn on that how extraordinary the moments are that you can capture, and I remember moments on that film where it was like the air shifted in the room because, with your costar or director, you manage to create a moment that is so raw. You would never get that in a scripted movie and I think I was desperate to have that again. So when [director] Lynn [Shelton] approached me about this it seemed really appealing and necessary.